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supported by 6 fans who also own “Elevator”
In my top 2021 albums! The live at Emmaus-Kirche was enchanting. Contemporary, but so exposed. Some paintings can give you a peek into the depicted character's intimacy, without them being aware that there are external observers. This album grants me that same impression, as if I'd be hidden behind trees looking at a person around a forest pond, singing their heart out, thinking they are alone (...or knowing that they aren't?). Magical!
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supported by 5 fans who also own “Elevator”
Κ' ΟΠΩΣ ΘΑ ΧΕΙΣ ΠΛΕΟΝ ΚΑΤΑΛΑΒΕΙ ΔΕΕΕΕΕΕΕΕΕΕΕΕΝ ΜΠΟΡΩΩΩΩΩΩΩΩΩΩ ΝΑ ΤΟ ΔΑΜΑΣΩΩΩ
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supported by 5 fans who also own “Elevator”
If you are looking for the Mediterranean response in Bjork's "Homogenic" you should listen (and buy) this album. Like her Icelandic colleague, Sofia Sarri creates a trip-hop conflation of orchestral pop (use of strings), Greek traditional music (especially from the island of Crete), and dark atmospheric rock music.
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Touched by the Stuff
by Motorists
Toronto rivals San Francisco as the North American capital of jangle pop as evidenced by this new record of sunny jams from the Motorists.
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Blissfully narcotic dream-pop inspired by real dreams.
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Brijean are back! Uptempo space disco grooves dusted with soul and R&B on the duo’s latest masterpiece.
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